improvisation | contemporary | jazz | avantgarde
An encounter between three outstanding improvisational musicians who understand sound as open territory. Guitar legend Fred Frith – co-founder of Henry Cow and a defining figure in experimental music since the 1970s – meets Tim Hodgkinson, a collaborator from those radical beginnings and a tireless researcher at the intersection of improvisation, composition, and sound anthropology. Alongside them is Liz Allbee, a Berlin-based trumpeter and sound artist who transforms her instrument into a vibrating resonating chamber of breath, electronics, and material experimentation. A completely improvised trialogue. Raw, poetic, unpredictable.
Hamburg-based musician Gunnar Lettow works with a prepared bass and electronics. Following this initial collaboration, Erel and Lettow decided to continue as a duo. Gunnar’s electroacoustic sounds and Korhan’s electronically processed field recordings and found sounds now give rise to a fascinating, abstract soundscape. The result is not a traditional bass-and-electronics combination, but rather a fluid field of hums, vibrations, crunching textures, fleeting impulses, and acoustic particles. The bass serves less as an instrument than as a starting point for transformations; the electronics expand, shift, and fragment the material. Erel and Lettow are interested in transitions, frictions, and those moments in which sound, gesture, and structure intertwine.
Das Konzert wird präsentiert von Frequenzgänge.
supported by Jazz Moves
